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LIV Goods modular shelvingComfort Air chair for American LeatherCaper Chair for Herman MillerUnion Chair for Hyundai Livart
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herman miller / caper chairback to library

caper

good seating,
within reach.

Orange Caper stacking chair with silver frame.
herman millerdesign: jeff weberintroduced 1999

A chair in a shared room has more than one job. It needs to support the person sitting, move easily into a conversation, and make room for what happens next.

With Caper, we set out to bring comfort, mobility and affordability together. The opportunity was to find more performance in familiar materials, shaped and assembled with care.

“Too much good design seems expensive,”
… “I wanted to break that cliché.”

Jeff Weber / on Caper
build to learn ↓small details ↓one family ↓
build to learn

questions made physical.

How could a light structure provide meaningful support? We explored the relationship between the seat, back and frame through drawing and making. The objects in our archive let us look closely at that relationship, from an idea on paper to a full-size chair.

Line drawing of a Caper chair with a suspension seat and casters.
A question on paper.
Caper prototype with a wooden back, three openings and a black suspension seat.
A question made physical.

give an idea something to push against.

A drawing separates the suspension seat from the back. A prototype brings those parts together in physical form. Other configurations explore different openings, seat surfaces and connections. Each object makes a design question tangible.

Yellow and blue Caper chairs showing different seat and back configurations.
Different approaches to the seat and back.
Blue Caper configuration with large back openings and a suspension seat.
An alternate back and suspension seat.
Close view of a yellow Caper seat and back with perforations.
Perforations across the seat and back.
from the chair to the room

change the scale.
change the perspective.

Our archive also holds a different kind of model: a chair small enough to balance on a knife, and a room small enough to see all at once. At this scale, the object becomes part of a larger arrangement of people, furniture and space.

A tiny Caper chair model balanced on the end of a craft knife.
A chair at another scale.
Miniature Caper chairs arranged around a table in a model room.
The chair in a model room.
small details. human consequences.

more work from each part.

Our Build to Learn process explored details as seemingly small as the perforations in the back. The openings let heat and moisture escape, while the material around them supports the body. Small details matter to the person sitting in the chair, so we give them the same care as the overall form.

Close view of the perforations and handhold in a yellow Caper back.
Support, airflow and a place to grip.
Tubular Caper frame components on a work surface.
Frame components from our archive.

The molded back combines a contour for support, openings for airflow and a handhold for lifting. Making each part do useful work connects comfort with the practical demands of producing, moving and managing a chair.

made for people in motion

sitting is rarely still.

We turn toward another person, change position and shift our attention. Caper’s multipurpose version accommodates those small changes with swivel, tilt and seat-height adjustment.

The mechanism has a human purpose: joining a conversation, finding a comfortable working height or leaning back to pause.

Overlaid positions of a Caper multipurpose chair showing its tilt.
Movement in the multipurpose chair.
an extended design language

one family.
different ways to sit.

A recognizable back, a light frame, a clear relationship between the parts. Across Caper’s many configurations, those ideas hold the family together. Bases, seat surfaces, arms, colors and working heights change to suit different activities.

The result is a family that can move from a shared table to a desk, from a learning space to a higher work surface, while keeping its own character.

Five Caper configurations including stacking chairs, a multipurpose chair and two stools.
A shared design language across chairs and stools.
one language / many possibilitiesselect an image to explore
White Caper chair with arms, a four-leg frame and casters.
four legs. free to move.A light frame, a molded seat and casters for a room in motion.
Brown Caper multipurpose chair with a suspension seat and five-star base.
a different base. the same idea.A suspension seat and five-star base extend the family to individual work.
Two groups of colorful Caper chairs stacked together.
ready for the room to change.Pull up a chair. Gather together. Stack them away.
Caper stacking chairs in red, white, gray and black.
a little color changes the conversation.Bright colors bring energy; quieter tones let the same form settle into the background.
the arts of daily living

ready for everyday.

The value of Caper lives in ordinary actions: pull up a chair, gather around a table, rearrange a room, stack the chairs away. We see those moments as part of the design problem. Making them easier is part of what good seating can do.

Caper chairs arranged at tables in a bright learning space.
At work in a shared learning space.
A red Caper chair in a room with a stack of chairs behind it.
A seat when needed. Space when it is not.

“There should always be a human benefit associated with whatever it is we’re designing.”

Jeff Weber / on his design philosophy
From the Studio Weber project archive and supplied Herman Miller product photography. Quotations: Caper design story and Jeff Weber profile. See further reading below.
Caper Chair case study PDF coverDownloadable Case Study – Caper Chair4 pages · PDFView PDF

further reading

  • Herman Miller / The Caper design story↗
  • Herman Miller / Jeff Weber on design↗

keep exploring

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